In this portrait, Edward depicts art dealer and cultural figure Michael Reid OAM, a relationship that began during Edward’s internship at the Michael Reid Gallery in Sydney. What first felt like an intimidating task became a genuine study of character, shaped by Michael’s sharp humour, humility, and perseverance. Shown inside the Chippendale gallery, Michael stands under focused gallery lighting with his arms gently crossed—a pose that feels both confident and approachable. Behind him, two Max Dupain works, including a glimpse of The Sunbaker, nod to the Australian photographic tradition he has long supported. Though cropped at mid‑body, the portrait creates a direct, grounded connection with the viewer. Ultimately, it serves as a tribute to mentorship, portraying Michael not just as a public figure but as a meaningful influence in Edward’s development as an emerging artist.
