Profile
Artist Biography
Edward Jack Humphrey (b. 1998) is an Australian-born artist who works across mediums of photography, drawing and painting. In his artistic practice, he speaks of creative freedom and self-expression, capturing how beauty can be found in human form, body language and emotions.
Edward is an alumnus of the National Art School, with a Bachelor of Fine Arts. He also holds a Certificate IV in Arts and Cultural Administration from TAFE NSW. His work has received notable recognition including, being selected for the Bluethumb Art Prize (2021), Archibald Portrait Prize (2020), the Salon des Refusés (2018), and Royal Art Society of NSW Art Prize (2018). As well as this, he has held a group show at Depart Gallery (2025) and two solo exhibitions at Gallery 11:11 (2024, 2023). Edward’s work is held in private collections across Australia.
Artist Statement
Edward Jack Humphrey is intrigued by the dialogue between photography, painting, and people. His work explores human behaviour, gesture, and body language. Each portrait begins with a conversation, a moment of mutual presence and respect that allows him to observe the model’s personality and mood. From this, he lightly integrates his own voice into their poses, creating photographs that feel intimate and personal - the foundation for his paintings.
As a loosely realistic artist, Edward balances precision with expression. He paints with brushes and palette knives, layering thin strokes before building controlled, impasto marks. His process mirrors his portraits: structured yet raw, considered yet alive. He is drawn to hands, subtle gestures, calm expressions, and the quiet words a body can communicate.
Edward’s work is an exploration of physicality and persona. By blending photography and painting, he preserves the immediacy of a moment while allowing his interpretation to emerge and enrich the composition. Each portrait becomes a shared space between artist, model, and viewer, inviting reflection on identity, emotion, and human expression.
Furthermore, Edward challenges the notion that realistic portraiture is often underappreciated and highlights how valuable and rewarding it is when he delves into the sitter’s mind to exemplify their personal, emotional expression. At times these reflect his own emotions, intensifying the portrait with a heartfelt touch.